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There have been many MIDI‑controlled analogue rackmount monosynths released since the format became popular in the late 1980s. Of these, perhaps the most notable have been the Studio Electronics SE1, the Waldorf Pulse and, most recently, the Moog Voyager Rackmount.

But analogue monosynths in a desktop format have been much rarer. Currently, there are perhaps just two leading competitors for the Mopho.

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The first is the MFB‑SYNTH II from Berlin. This is a slightly more expensive desktop module with an analogue signal path that includes three oscillators and a 24dB/octave filter. With the look and feel of a vintage synth, this is more tactile than the Mopho and will appeal to players who prefer to program sounds on the control panel, just as on a vintage synth. Course In General Linguistics By Ferdinand De Saussure Pdf Free. The second comes from the same stable as the Mopho itself; it's the DSI Evolver. This offers four oscillators (of which two are digital and based upon the Prophet VS), but thereafter shares a similar architecture to the Mopho, with a CEM‑based filter and analogue VCAs coupled to digitally generated contours, LFOs and other facilities.

Happily, there's good differentiation between these three, so there should be one that's suitable for almost everybody. The Pro One was released in 1981. Although it lacked some of the features offered by its competition, it sounded great and, at under £500, it was cheaper than many other monosynths of the era, so it appealed to wealthy professionals and cash‑strapped musicians alike. Apocrypha suggests that about 10,000 units were built during its four‑year production run, but its user‑list is a Who's Who of the era: Vince Clarke, Bronski Beat, 808 State, Howard Jones, Marillion, and many, many more. There were a number of changes made to the Pro One during its lifetime. The one used for the comparisons in this review is serial number 6742, which has the better (earlier) keyboard mechanism, and the better (later) motherboard and power supply.

Dave Smith Instruments Mopho £299 $399 pros • It sounds just like a monosynth should. • It's exceptionally small and neat. • The feedback loop is an unexpected but very welcome bonus.

• It has lots of modulation potential. • The basic editor — which you're going to want — is free.