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Restoration workshops in the Louvre The Louvre is owned by the French government; however, since the 1990s it has become more independent. Since 2003, the museum has been required to generate funds for projects. By 2006, government funds had dipped from 75 percent of the total budget to 62 percent. Every year, the Louvre now raises as much as it gets from the state, about €122 million. The government pays for operating costs (salaries, safety and maintenance), while the rest – new wings, refurbishments, acquisitions – is up to the museum to finance. A further €3 million to €5 million a year is raised by the Louvre from exhibitions that it curates for other museums, while the host museum keeps the ticket money. As the Louvre became a point of interest in the book and the 2006 film based on the book, the museum earned $2.5 million by allowing filming in its galleries.
In 2008, the French government provided $180 million of the Louvre's yearly $350 million budget; the remainder came from private contributions and ticket sales. The Louvre employs a staff of 2,000 led by Director, who reports to the French Ministry of Culture and Communications. Martinez replaced in April 2013. Under Loyrette, who replaced in 2001, the Louvre has undergone policy changes that allow it to lend and borrow more works than before. In 2006, it loaned 1,300 works, which enabled it to borrow more foreign works. From 2006 to 2009, the Louvre lent artwork to the in Atlanta, Georgia, and received a $6.9 million payment to be used for renovations.
In 2012, the Louvre and the announced a five-year collaboration on exhibitions, publications, art conservation and educational programming. The €98.5 million expansion of the Islamic Art galleries in 2012 received state funding of €31 million, as well as €17 million from the founded by the eponymous Saudi prince. The republic of Azerbaijan, the Emir of Kuwait, the Sultan of Oman and donated in total €26 million. In addition, the opening of the Louvre Abu Dhabi is supposed to provide €400 million over the course of 30 years for its use of the museum's prestigious brand. Loyrette has tried to improve weak parts of the collection through income generated from loans of art and by guaranteeing that '20% of admissions receipts will be taken annually for acquisitions'.
He has more administrative independence for the museum and achieved 90 percent of galleries to be open daily, as opposed to 80 percent previously. He oversaw the creation of extended hours and free admission on Friday nights and an increase in the acquisition budget to $36 million from $4.5 million. Satellite museums [ ] Lens [ ]. Main article: In 2004, French officials decided to build a satellite museum on the site of an abandoned coal pit in the former mining town of to relieve the crowded Paris Louvre, increase total museum visits, and improve the industrial north's economy. Six cities were considered for the project: Amiens, Arras, Boulogne-sur-Mer, Calais, Lens, and Valenciennes. In 2004, French Prime Minister chose Lens to be the site of the new building, the Louvre-Lens.